In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.
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“I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.”
“Halfway through the decade, we realized that we had a great team and that we could do great things, and that we could probably have something here that we believed we had a chance to reach greatness.”