In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.
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I think for a long time it seemed like working in an art form and being a feminist meant portraying women in a perfect, angelic light. And there's nothing feminist about that.
I don't listen to what people say about me and I don't read what they write about me. People can compare me to anyone they want to, but I'm not going to worry about it.

