In all the great periods of the drama perfect freedom of choice and subject, perfect freedom of individual treatment, and an audience eager to give itself to sympathetic listening, even if instruction be involved, have brought the great results.
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“If I'd learned nothing else, it was this: If you want to be a great writer, be a man. If you can't be a man, write like one.”
“It's a lot more comfortable, I must say. Ummm, I didn't think I'd be playing with another band, I kinda thought I was through with that, but I make an exception because they're nice people.”