The architecture of our future is not only unfinished; the scaffolding has hardly gone up.
I have always tried to work according to what affects me, to a script that I like because it touches me in some way, without deliberately pursuing a commercial career or a particular image.
And, in a funny way, each death is different and you mourn each death differently and each death brings back the death you mourned earlier and you get into a bit of a pile-up.

