I was trained to be an actor, not a star. I was trained to play roles, not to deal with fame and agents and lawyers and the press.
I don't feel that an atmosphere of debate and total disagreement and argument is such a bad thing. It makes for a vital and alive field.
Armchair poverty tourism has been around as long as authors have written about class. As an author, I have struggled myself with the nuances of writing about poverty without reducing any community to a catalog of its difficulties.