I suppose that Heartland, Unknown Soldier and Pride and Joy represent not a quieter side but more of a serious side to my work, something I've been getting into recently.
Good men, whether they be Christians or rationalists, do not desire to discriminate between races, but the distinctions implanted by Nature are too conspicuous to escape the observation of our senses.
It was always disappointing to see that what I could really master in terms of form boiled down to so little.