Enormous enlargements of an object or a fragment give it a personality it never had before, and in this way, it can become a vehicle of entirely new lyric and plastic power.
“I hate myself in interviews. All of a sudden, you stop and you're like, 'Chris, how dare you?' I don't live in Darfur. I have both legs. But you can't walk around all the time being like, 'I'm so grateful I'm not in Darfur.'”