And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.
I'm very classic and structural. I love clean lines and interesting, modern details. But I'm all about being streamlined - less is more.
I owe a lot to my dad, just for having provided the wrestling business for us to get into.