A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.
After a foreign invasion, there has to be a sort of feeling of musical inadequacy in the country.
And I'm hoping that fair-minded people will stand up and say that what's been done to me is wrong, and that-that people's personal lives have no impact on their ability to be a journalist, you know. Why should my past prevent me from having a future?

