A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.
I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.
As soon as I step on the court I just try to play tennis and don't find excuses. You know, I just lost because I lost, not because my arm was sore.

