A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.
If the great Government of the United States were a private corporation no bank would take its name on a piece of paper, because it has cynically repudiated the words engraved upon its bonds.
If it comes out sounding like Dixieland jazz or classical or punk or rock or even slightly metal, that's because that's where I'm going to find inspiration.

