I have a master plan as an artist. I've always said I'm not going to be punching nobody's clock. I will work as an artist to survive in this world.
The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
I probably get more inspiration for human stories and idiosyncrasies than I do animal stories.