I'm not suggesting that the play is without fault; all of my plays are imperfect, I'm rather happy to say-it leaves me something to do.
It's just that back then we didn't know that was considered being a coproducer. I would sit on the side and say what I wanted musically, but at the time we thought if you aren't the one playing it, you don't get the credit. Now you'll start seeing my name listed as producer.
I was black and blue for about two years, but it's paid off tremendously. You know, if you get enough whacks, your reflexes pick up, and I've become quite good - if somebody throws keys or something, I can catch them.

