The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens.
“I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.”
“Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club.”