I have a reputation for being an improvisational actor, which is true, but I also know what I'm doing so that if the improvisational strand doesn't work I can go back to what I know's already there.
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.