It ain't about if he knocks a guy out. It's about how he knocks a guy out. It's the style, the improvisation.
“It's a very, very fascinating story for me, cause it's about a man who's been doing bad; bad things. And he's a father of four children in parochial school, he's a lieutenant of detectives, but he's in conflict with himself and with trying to do what's right.”
“After they killed Uday and Qusay, the focus centered on Saddam: Find him, kill him, capture him, whatever it takes. To me, it was a false sense of security: If we get Saddam, we're going to win this war.”