Writing this book was very therapeutic because it helped me face my relationship with my dad.
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The model today is that as much as 70 percent of the financing of the picture would come from overseas. Now we're beginning to run out of suckers, because there are not that many people overseas who are willing to put up more than half the money for a movie.
I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya?

