In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.
The moment somebody says 'this is very risky' is the moment it becomes attractive to me.
I like the idea of growing old gracefully and full of wrinkles... like Audrey Hepburn.

