In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.
“There's no longer any surprise in noting that China has grave environmental problems.”
“I wish I had a little more ambition. But then what would I do? Turn down more roles with more vehemence? Me no likey worky.”