People take the longest possible paths, digress to numerous dead ends, and make all kinds of mistakes. Then historians come along and write summaries of this messy, nonlinear process and make it appear like a simple, straight line.
Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
I said, other people can write songs, let's see if I can. So the first 400 or 500 wound up on the floor somewhere. Then I wrote one called Melissa.

