I mean, you have a general tone of it but it's pretty much you get to come in and you're going to flip this car and it's going to blow up and you're going to come out on fire and you go oh, that's cool, and then you get paid a lot of money.
There is no way I could have ever dared to make a documentary, much less have the money to make a documentary, if it was on 16mm. But, with the magic of digital.
However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.