I just play intuitively and work the same way in the studio. I don't have any magical effects or anything that helps me to get my particular sound.
It is conventional to call 'monster' any blending of dissonant elements. I call 'monster' every original inexhaustible beauty.
It still hasn't sunk in that I'm going to be in Coronation Street. Everything about the role is brilliant and I'm working with some great people.