In retrospect I realize that the threat was about ego rather than the validity of the music.
I find that when I play reality-based characters, it is only as fun for me if I have a lot of time to do research. If I don't it just isn't exciting but if I do, it can be fun because I can learn about that person and the world that they live in and I can become somebody else.
According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.

