So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses.
“When Christopher and Charles passed away, I was completely depressed, I felt rejected and real down, and so Roscoe invited me because he had this spirit of compassion, and we had gone to school together, were friends and everything.”