I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium.
As an actor, you don't often get a chance to know exactly the impact of what the audience is seeing, even though you can ask where the frame is. A move that feels tiny can be huge, and vice versa.
On bad days, I think I'd like to be a plastic surgeon who goes to Third World countries and operates on children in villages with airlifts, and then I think, 'Yeah, right, I'm going to go back to undergraduate school and take all the biology I missed and then go to medical school.' No. No.

