For the last three years, I've been working on 'Bromst,' and that's all that encompassed my brain. And now that it's out, it will change the way that I think musically.
This is the problem for which revolutionary theory has yet to find the right solution, if there is one. The difficulty is that the economic interests of the two classes are antagonistic.
What the translator - myself in particular - does is not comparable to what the Homeric performer was doing.

