I'd rather have a hundred thousand or a million people saying I'm nuts and I'm crazy for my musical choices and what I've said lyrically, than a million people all raising their hand on the first day.
All the interests of my reason, speculative as well as practical, combine in the three following questions: 1. What can I know? 2. What ought I to do? 3. What may I hope?
The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.