When you make something, cleaning it out of structural debris is one of the most vital things you do.
It's the first time that I've ever had an art show based on a film, but it's a photography collage.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.

