I hate myself in interviews. All of a sudden, you stop and you're like, 'Chris, how dare you?' I don't live in Darfur. I have both legs. But you can't walk around all the time being like, 'I'm so grateful I'm not in Darfur.'
The experiment of the poem is mostly intuitive. I write the first draft, pulling in the various elements that interest me, in the hope that their being combined will lead to some kind of insight.