I was the classic middle child in some ways, the one who could have been a priest in an alternate universe.
Nothing ever begins. There is no first moment; no single word or place from which this or any other story springs.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.

