That's kind of the theme of Own the Night. It's about those nights that are so memorable you could live them forever.
So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.
It could draw from a greater reservoir of freedom. The irony could develop an even greater ease.

