If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay.
I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity.
If Iraq and Afghanistan have taught us anything in recent history, it is the unpredictability of war and that these things are easier to get into than to get out of, and, frankly, the facile way in which too many people talk about, 'Well, let's just go attack them.'

