The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.
“I've heard The Demolitionist described, premise-wise, as 'RoboCop' meets 'The Crow' by way of 'La Femme Nikita'. That, as I see it, could not be more accurate.”