Like any other composer of opera, I choose a subject not for polemical reasons, but because it contains vivid characters in highly charged dramatic situations.
I don't care how I got here. In the books, when you look at it 10 or 20 years from now, it's not going say how he got here, it's going to say he's here and he represented the team.
All causes are essentially mental, and whosoever comes into daily contact with a high order of thinking must take on some of it.

