In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'
When playing a role, I would feel more comfortable, as you're given a prescribed way of behaving. So, both Facebook and theatre provide contrived settings that provide the illusion of social interaction.
The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.