That business of relaxation, which is so terribly modern today, is all good and well, but my work interests me so much, and is so varied, that many times it seems relaxing when I go from one aspect to another.
I learned long ago to accept the fact that not everything I create will see the light of day.
I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.

