Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot.
I thought that being popular in school was just so pathetic. I knew I had a future over and beyond the horizon of that school.
I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.

