Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot.
“You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.”
“It's the way to educate your eyes. Stare. Pry, listen eavesdrop. Die knowing something. You are not here long.”