But then when he left, I realized that it was harder to write songs and feel spiritually connected to art and music as a band. When he came back I felt it again, instantaneously.
It was just us lampooning our own peer group, saying, well hey, where did this stuff come from? And where does British guys get to be so good at it suddenly?
The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.

