Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.
Whether it's on top of a phone booth or a $200 million soundstage, it's about stories.