We must examine then the concerns of the Government of Japan about the language of the treaty itself - of SOFA - and of the interim and further arrangements that have been made since 1995, and see whether or not we need to make any changes. Those are decisions I cannot make.
I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

