A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
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“I describe my works as books, but my publishers in Spain, in the United States, and elsewhere insist on calling them novels.”
“I never really am in awe of people because we are just equal at the end of the day.”