A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
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The way I see things, the way I see life, I see it as a struggle. And there's a great deal of reward I have gained coming to that understanding - that existence is a struggle.

