I wouldn't say I'm a very controlling person. For instance, when I talk to the actors, I don't tell them exactly what I want because I want them to surprise me. I even encourage them to change some of the verses of the script if they need to.
The way that I got involved with microtonal music was, frankly, through jazz.
I enjoy doing both of them very much, concert work particularly, and the division varies from season to season.