Let's say a Soviet exchange student back in the '70s would go back and tell the KGB about people and places and things that he'd seen and done and been involved with. This is not really espionage; there's no betrayal of trust.
I kinda see my current position like this: Here's your five minutes in the toy store, so you gotta do all the good movies you can before 'Chuck Woolery' rings the bell.
If I start thinking, 'Is this movie going to open? Is this movie going to do well?' I'm not focusing on the job. The job is to make a good movie.