I knew quite well, when I gave the names of our agents in the Soviet Union, that I was exposing them to the full machinery of counterespionage and the law, and then prosecution and capital punishment.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.