Indeed it can be argued that to make a powerful film you must care about the subject, therefore powerful films tend to be both political and partisan in nature.
I think I avoid stepping into sentimentality by trying to be as truthful as possible with performances.
Abdullah Ahmad Badawi, Politician (1939) |
Chuck Eddy, Journalist (1960) |
Peter Facinelli, Actor (1973) |
Eugene Ionesco, Dramatist (1912) |
Max Euwe, Celebrity (1981) |
Isabella I, Royalty (1504) |