Elvis was incredibly cooperative. He would try anything. He wasn't a diva, no prima donna. When it came to work, he was a workhorse.
Behind the masks of total choice, different forms of the same alienation confront each other.
The theater, bringing impersonal masks to life, is only for those who are virile enough to create new life: either as a conflict of passions subtler than those we already know, or as a complete new character.

