There was a time when fast playing and fretboard pyrotechnics on the bass were important to me and when I am recording a bass track, that is still very important to me.
During the early months of the war in 1914 there was a conflict of opinion between the War Office and the Foreign Office regarding news from the Front.
For the last three years, I've been working on 'Bromst,' and that's all that encompassed my brain. And now that it's out, it will change the way that I think musically.