I worked with a man named Patty Crane who was Errol Flynn's stand-in back in the '30s in Hollywood.
I've always described parts as tattoos. For actors our tattoos are in the form of films.
Language is political. That's why you and me, my Brother and Sister, that's why we supposed to choke our natural self into the weird, lying, barbarous, unreal, white speech and writing habits that the schools lay down like holy law.