A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.
But I think the real tension lies in the relationship between what you might call the pursuer and his quarry, whether it's the writer or the spy.
We are continually faced by great opportunities brilliantly disguised as insoluble problems.

