Before I joined The Beach Boys, I was working at Columbia Records as a producer, and saw The Byrds come in and do their first overdub before Terry even met them.
I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.
Nowadays, the process of growth and development almost never seems to manage to create this subtle balance between the importance of the individual parts, and the coherence of the environment as a whole. One or the other always dominates.